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	<title>The FASTForward Blog &#187; Disney</title>
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		<title>Boingo Part 2 &#8211; Using the power of the network effect &#8211; Superfans</title>
		<link>http://www.fastforwardblog.com/2010/09/27/boingo-part-2-using-the-power-of-the-network-effect-superfans/</link>
		<comments>http://www.fastforwardblog.com/2010/09/27/boingo-part-2-using-the-power-of-the-network-effect-superfans/#comments</comments>
		<pubDate>Mon, 27 Sep 2010 15:34:55 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
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		<guid isPermaLink="false">http://www.fastforwardblog.com/?p=5497</guid>
		<description><![CDATA[
			
				
			
		
What would it be like if your business had a sales, marketing and support force that was 1.3 million strong that you did not have to pay for? What if you could source this leverage with a tiny central force? Sounds impossible? Do you have any idea of how this could work?
Now that everyone is using Social [...]]]></description>
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<p>What would it be like if your business had a sales, marketing and support force that was 1.3 million strong that you did not have to pay for? What if you could source this leverage with a tiny central force? Sounds impossible? Do you have any idea of how this could work?</p>
<p>Now that everyone is using Social Media &#8211; what I am seeing mainly are people who using the new tool in the old way &#8211; trying to shout above the noise &#8211; &#8220;Look at ME!&#8221; &#8220;Aren&#8217;t I cool!&#8221; &#8220;Aren&#8217;t we good!&#8221;. I am seeing a Dilbert approach &#8211; &#8220;Let&#8217;s have a Facebook site&#8221; &#8220;Let&#8217;s get on Twitter&#8221;.</p>
<p><a href="http://smartpei.typepad.com/robert_patersons_weblog/2007/08/social-media---.html">Most do what most do when a new technology arrives &#8211; they apply it in the old way and so get nothing in response. </a></p>
<p>So what then is the power and leverage that you can harness by using social media well?</p>
<p><a href="http://www.fastforwardblog.com/2010/07/29/boingo-how-to-make-it-safe-corporately-to-use-social-media-well/">Boingo </a>are on their way to finding out how to do this. Oh yes and I am one of the people that are part of this and oh yes I am not being paid and nor do I in any way work for them. <a href="http://www.fastforwardblog.com/guides/twitter/science/">I am living the theory</a>.</p>
<p>So how might this work and so how might you do this too?</p>
<p>Boingo have a class of people that are deeply committed to the enterprise that <a href="http://www.boingo.com/blog/?author=8">Baochi </a>calls her &#8220;Super fans&#8221;. They and why they are connected to Boingo and each other is the core of the leverage potential. We will meet 4 of them in this post who agreed enthusiastically to be interviewed by me. As you will see, these Super Fans are attracted first of all to Boingo by the obvious:</p>
<ul>
<li>The service &#8211; easy one stop access to Wifi in Airports and Hotels &#8211; is now no longer a nice to have for travellers but an essential</li>
<li>The support for the service is outstanding &#8211; got a problem &#8211; you get instant personal help</li>
</ul>
<p>But a great product is not enough. Nor is good service. What is the differentiator for Boingo is the human nature of the relationship that Boingo has with its customers. Most organizations do not allow their people to be human. Service people are often ciphers working from a script. Boingo have set up an environment where their key point of contact is a real person who is allowed to be herself.</p>
<p>She has a name and a face and we are all in awe and a bit in love with her. We all feel her presence watching over us. It is way more than getting her help when we can&#8217;t sign on. She watches out for us. Have a problem &#8211; A quick tweet. In minutes she is there. She is like the guy who runs the old corner store who holds your keys when you go away, keeps an eye on your kids in the street, helps you find a new roommate.</p>
<p>As <strong>Nuno Montegro</strong>, a customer in Portugal says &#8211; It is not what she says but how she says things that is the difference.</p>
<p>Nuno is like me, a customer who actively refers others to the service.</p>
<p>Most of Social media is all about Weak Ties &#8211; They are very useful but Weak Ties don&#8217;t get people to do much &#8211; or risk much &#8211; or commit much &#8211; that is why they are Weak &#8211; they are easy.</p>
<p><a href="http://www.newyorker.com/reporting/2010/10/04/101004fa_fact_gladwell?currentPage=all">If you want to do something &#8211; Civil Rights in the US &#8211; you need Strong Ties.</a> (Nice new piece by Malcolm Gladwell that explores Weak and Strong Ties in depth)</p>
<p>The key to attracting Strong Ties is being human. It is NOT PIMPING your product. It is instead to show that you really do care about ME. It is instead to show that you can indeed be trusted.</p>
<p>How do you show this? Nuno makes the point that every service and product fails at times. The key is to offer the best possible response to the inevitability of a problem. The best possible response is to know from experience that if there is a problem, you can reach a real person quickly and that they will go the distance to help you get it fixed. &#8220;I felt as if I was the only customer in the entire world when she was helping me&#8221; Nuno told me. I had the same experience.</p>
<p>Attracting Strong Ties is all about &#8220;Giving&#8221;.</p>
<p><a href="http://blog.stroutmeister.com/"><strong>Aaron Strout </strong></a>is the CMO at social media agency, <a href="http://www.powered.com/">Powered Inc.</a> and is also Super Fan. &#8220;Boingo is proactive and they don&#8217;t expect a direct return &#8211; they are not selling all day &#8211; so if they want an inch, I go the mile back. It&#8217;s Karmic! I know if I have a problem that they will look after me. If people are good and do good, then good comes back. Not necessarily directly but good gets attracted back. We talk about a wide range of things that affect me not just the product &#8211; which is great too &#8211; have to have that &#8211; they listen.&#8221;</p>
<p>What Aaron is talking about here is a very old model for an economy that was the centre of all tribal economies &#8211; <a href="http://en.wikipedia.org/wiki/Gift_economy">the Gift Economy</a>. In the Gift Economy, the Big Guy is not the man who has the most stuff but the person who gives the most.</p>
<p>This is the power in networks &#8211; this is how Open Source Works too.</p>
<p><strong>Cliff Bremmer</strong> is a programmer who works for a company called <a href="http://www.carleycorp.com/">Carley Corporation</a> that bids on government contracts to develop instructional CD base/computer based training for the US military.  &#8221;In my spare time I help companies understand and navigate the social media spectrum in a professional yet interactive way.  The company I’m currently helping is the one my father works for called the <a href="http://www.jamaipanese.com/jamaica-pegasus-tweetup/">Jamaica Pegasus Hotel</a>&#8220;.</p>
<p>The Gift?</p>
<p>Not only is he a fan but in interacting with Boingo he has learned a lot about how to use SM media well. &#8220;If there is anything I’m proud of lately it’s that I helped the Pegasus Hotel promote their brand with the help and support of @Boingo and other companies to become one of the most popular brands in Jamaica.&#8221; Boingo is  not only helping him with his travel and Wifi but is talking with him and helping him help his dad in his business with advice and Tweet Up prizes such as free access and bag tags. The Gift in action!</p>
<p>He can see the flaws of how most use SM &#8211; &#8220;They are stuck in self promotion versus communication. I can see through it all &#8211; it&#8217;s all about them.&#8221;</p>
<p>In the Gift Economy that drives Trust and so Strong Ties, the starting point is YOU. In the non network economy the starting point is ME. No small difference!</p>
<p><strong><a href="http://upupnaaway.blogspot.com/">Shelby Rogers</a></strong> is a flight attendant, a serving soldier (in the active reserve) and the wife of a serving soldier. Travel is her life. When she is not working, she travels. Access to Wifi has made her travel better &#8211; &#8220;I now know more than the Gate Agent does about my flights!&#8221; and it has taken away much of the loneliness that travel brings with it. Who has not been alone eating room service and watching TV in our room? &#8220;I can stay in touch with my husband on Skype and every city seems to have a friend in it.&#8221;</p>
<p>For Shelby, Boingo is a service that truly meets her needs. But it is how Boingo is connected to her that has transformed a pleased customer into a Super fan.</p>
<p>How often has your service provider taken you out to dinner? &#8220;We have even had dinner recently. I am now a walking billboard for Boingo with winking bag tags!&#8221;</p>
<p>So what does this mean? What are the lesson for both Boingo and for you?</p>
<ul>
<li>Baochi is no accident &#8211; the Boingo senior leadership have created the role and given it the space to enable someone who is naturally humane to be herself inside it. This new way of using Strong Ties to be the centre of a network is all about culture. In most cases senior leadership is too scared to let go. But if you do let go and create this safe place then the power of the network effect can be yours</li>
<li>A really powerful network has to have an inner core bound by Strong Ties. This is where the leverage is. One staff person like Baochi can without too much trouble have close ties with 34 people. That gives her an outer network of 1.3 million. If she can handle the Dunbar limit of 144 that creates an opportunity of 400 million! You can see that with the right person, you can have a vast reach &#8211; provided you realize that your goal is not to have thousands of relationships but a few Strong Ones</li>
<li>The secret is the math of social leverage. Many of you know about the &#8220;Dunbar Number&#8221;. Some of you know about &#8220;Magic numbers &#8211; the hierarchy of trust in human groups. I<a href="http://www.fastforwardblog.com/guides/twitter/science/">f you don&#8217;t here is a quick primer</a>.</li>
</ul>
<p>So what now?</p>
<p>I think that the next stage would be this:</p>
<ul>
<li>At the moment all the Super Fans have a strong relationship with Baochi &#8211; I think that the best next step might be to find a way to connect them to each other</li>
<li>At the  moment most of the dialogue is still about the obvious and excellent service that Boingo provides &#8211; I think that some of the work that the Super Fans could do might be to deepen the conversation &#8211; Shelby touched on this in her interview with me &#8211; What is it that being easily connected while travelling does? In her case it helped her deal with isolation and loneliness &#8211; it helped her do her job better &#8211; it kept her in touch with her husband &#8211; these are deep issues that I think connect all of us who travel a lot</li>
</ul>
<p>As I think about networks, I think about the laws of physics. All systems have order and attractors. Some force is needed to keep systems coherent.</p>
<p>Think of the Sun in our own local system. It has mass that provides a gravity that holds all the planets and asteroids and stuff in a pattern. It has energy that creates life in the system. I think that any healthy human social system has to have gravity and light.</p>
<p>At the very centre is the &#8220;Right Space&#8221; a Trusted Space created by the leadership. In this Space, the Right Person &#8211; Right being a person who as part of her natural persona truly cares about others. Connected to her is the fuel and the mass that makes up the Sun &#8211; the Super Fans. The closer they are to the centre and the closer they are to each other &#8211; the more mass and the more energy. The more mass and energy, the larger and more healthy the network of Weak Ties that form up around the Sun.</p>
<p>What gets in the way is our fear about losing control.</p>
<p><img class="alignnone size-medium wp-image-5512" src="http://www.fastforwardblog.com/wp-content/uploads/2010/09/mickey_mouse-7771-300x225.jpg" alt="mickey_mouse-7771" width="300" height="225" /></p>
<p>At Disney the surface of the Brand Icon never changes but inside the mask is a person who changes all the time and so is never allowed to speak.</p>
<p>But in the new world we have to take off the costume and let the person inside have conversations with the public &#8211; HARD to do.</p>

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		<title>Better Than Good</title>
		<link>http://www.fastforwardblog.com/2009/09/12/better-than-good/</link>
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		<pubDate>Sun, 13 Sep 2009 02:05:40 +0000</pubDate>
		<dc:creator>Paula Thornton</dc:creator>
				<category><![CDATA[Collaboration]]></category>
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		<guid isPermaLink="false">http://www.fastforwardblog.com/?p=3683</guid>
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What was I thinking? Something I read this morning shocked me back into reality: I&#8217;d forgotten my roots. There&#8217;s something more fundamental to many things I&#8217;ve been sharing recently. It&#8217;s even related to my recent rant against requirements (although my take on the subject is far tamer than the 37 Signals version, which has been [...]]]></description>
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<p>What was I thinking? Something I read this morning shocked me back into reality: I&#8217;d forgotten my roots. There&#8217;s something more fundamental to many things I&#8217;ve been sharing recently. It&#8217;s even related to my recent <a href="http://www.fastforwardblog.com/?p=3639" target="_blank">rant against requirements</a> (although my take on the subject is far tamer than the 37 Signals <a href="http://37signals.com/svn/archives/001050.php" target="_blank">version</a>, which has been <a href="http://www.jnd.org/dn.mss/why_is_37signals_so_1.html" target="_blank">criticized by</a> Don Norman). The words came from Frank Gehry in his introduction to the book <a href="http://www.amazon.com/gp/product/1423119150?ie=UTF8&amp;tag=iknovate-20&amp;linkCode=as2&amp;camp=1789&amp;creative=390957&amp;creativeASIN=1423119150" target="_blank">Designing Disney</a>. He celebrates the author, John Hench, who started with Disney in 1939:</p>
<p style="padding-left: 30px;">&#8220;John is an Imagineer, among the brightest of a bright bunch who are responsible for designing everything that&#8217;s associated with Disney around the world. Whether it&#8217;s a hotel or a thrill ride, it&#8217;s the Imagineer&#8217;s job to dream it up, figure it out, and get it built. Doing work like this &#8212; making a movie or building a building &#8212; at this scale requires the collaboration of hundreds, sometimes thousands of people. They&#8217;re all trained, they&#8217;re all talented, and they get the job done. But there are certain people, and John is one of them, who bring a really special quality, one that&#8217;s almost indefinable, one that can take &#8216;good&#8217; and make it &#8216;great.&#8217; John&#8217;s ability to do this, I think, is rooted in his curiosity and his love of people. His curiosity has given him a vast body of knowledge that allows him to approach problems from unexpected viewpoints. Event when specialists have given up, John will come in and suggest <em>a simple and elegant solution &#8212; one that has never even occurred to anyone else</em>. And John&#8217;s love of people &#8212; this is the best part &#8212; drives him to create things that are better than good. John knows that people respond to design on a deep level. It isn&#8217;t that difficult to make a movie that simply entertains or a building that simply provides shelter. But when you&#8217;ve got a love for people, <strong><em>you want them to have experiences that make them think differently when they leave</em></strong>. The quest for &#8216;great&#8217; transcends genre. Be it a themed restaurant, a state-of-the-art attraction, or a beautiful garden, a great design makes people think, it inspires them, it makes them use their imaginations. John pushes everyone to a higher standard, a standard of excellence.&#8221; [emphasis added]</p>
<p>At the root of it all, is the ability to design great experiences. Most business information technologies do not deliver great experiences.</p>
<p>In the mid-90s, in the most unlikely of places &#8212; a database conference &#8212; through the eyes of a geek-turned-Imagineer I learned the subtleties of a culture steeped in designing great experiences. This database guy was clearly surprised by how much Walt still influenced the culture long after he was gone. He shared many examples of subtle design that create the unique Disney experiences, especially Walt&#8217;s reliance on the use of color to influence emotion. But the classic story related, shared the challenges faced in the early 60&#8217;s as Disney looked to combine animation with human interaction when <a href="http://disney.go.com/videos/classics/?content=196564#/videos/classics/&amp;content=196564" target="_blank">Dick Van Dyke danced with the penguins</a> in Mary Poppins. Before blue screen technology, Dick was working under <a href="http://www.cnn.com/2009/SHOWBIZ/Movies/01/27/van.dyke.poppins/index.html" target="_blank">yellow sulfer lighting</a> with a screen and a grid that he was being asked to choreograph his moves around. Trying to hit all of the marks while dancing was exhausting. Walt found out what was going on and put an end to it all insisting that it was not Dick&#8217;s job to work around the technology but that the technology (including the animation) needed to work around Dick.</p>
<p>Both Frank Gehry and the geek-turned-Imagineer shared a common message. While the results rely on the collaborative effort of a lot of people, the factor that changes the good to great are the insights of a visionary. Not someone who makes things grander, but someone who can see the simplicity. Someone who&#8217;s willing to challenge the momentum with new clarity. A similar story was recently shared by David Pogue after <a href="http://bit.ly/NeKXP" target="_blank">talking with Steve Jobs</a> at the recent Apple event. Questioning whether or not there would be a lag in product releases due to Jobs&#8217; 6-month absence, Steve said that most of what&#8217;s coming up next had been started before he&#8217;d left, but that he just needed to &#8220;polish&#8221; them a bit.</p>
<p>For those of use who don&#8217;t have a Walt, a John, or a Steve to bring clarity to our work, Enterprise 2.0 is a means by which to focus on simplicity: making it easier for the people doing the work, to provide a better experience for those for whom the work is being done. But only if&#8230;it includes design.</p>
<h3>Postscript</h3>
<p>Walt Disney was way ahead of his time as a businessman. He insisted on techniques that are just now being embraced as relevant to business. From <em>Designing Disney</em>:</p>
<blockquote><p>&#8220;To design most effectively for our guests, we learned that we had to observe them up close, waiting in lines with them, going on rides with them, eating with them. Walt insisted on this by saying, &#8216;You guys get down there at least twice a month. For God&#8217;s sake, don&#8217;t eat off the lot. Stay there&#8230;lunch with the guests&#8230;talk to them.&#8217; This was new to us; as filmmakers, we were used to sitting in our sweatboxes at the studio, passing judgment on our work without knowing how the public might actually respond to it. Going out into the park taught us how guests were being treated and how they responded to sensory information, what worked and what didn&#8217;t, what their needs were and how we could meet them in entertaining ways. We paid attention to guests&#8217; patterns of movement and the ways in which they expressed their emotions. We got an idea of what was going on in their minds. Disney Imagineers prefer such an experiential process of gathering information from our guests to focus groups or surveys. When designers see guests in their natural states of behavior, they gain a better understand of the space and time guests need in a story environment.&#8221;</p></blockquote>
<p>Moral: Consider work as an unfolding story.</p>

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		<title>Future of TV &#8211; YouTube open their API &#8211; Tivo YouTube New Offer &#8211; Response of Disney &#8211; Go to where the customers are &#8211; Go where the staff are</title>
		<link>http://www.fastforwardblog.com/2008/03/13/future-of-tv-tivo-youtube-new-offer-response-of-disney-go-to-where-the-customers-are-go-where-the-staff-are/</link>
		<comments>http://www.fastforwardblog.com/2008/03/13/future-of-tv-tivo-youtube-new-offer-response-of-disney-go-to-where-the-customers-are-go-where-the-staff-are/#comments</comments>
		<pubDate>Thu, 13 Mar 2008 12:07:04 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
				<category><![CDATA[Disney]]></category>
		<category><![CDATA[Jeff Jarvis]]></category>
		<category><![CDATA[Terry Heaton]]></category>
		<category><![CDATA[TiVo]]></category>
		<category><![CDATA[YouTube]]></category>

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		<description><![CDATA[
			
				
			
		
You Tube are opening their API &#8211; Terry Heaton thinks that Google have a plan - to host all video on the web!
…YouTube is not just white-labeling its video-hosting infrastructure for other sites, devices, and desktop applications. It is offering video-hosting for free. This could prove highly disruptive to other video-hosting platforms such as Brightcove, [...]]]></description>
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<p>You Tube are opening their API &#8211; <a href="http://www.thepomoblog.com/archive/hard-to-say-no-to-this-youtube-offer/">Terry Heaton thinks that Google have a plan </a>- to host all video on the web!</p>
<blockquote><p>…YouTube is not just white-labeling its video-hosting infrastructure for other sites, devices, and desktop applications. It is offering video-hosting for free. This could prove highly disruptive to other video-hosting platforms such as Brightcove, Maven Networks (now part of Yahoo), and Move Networks.</p>
<p>By offering developers the ability to actually alter the user interface of the player, Google is making it very hard to say no. One day, we may see local news sites using the YouTube player instead of their own. If they can customize and monetize it, why not? The hosting and bandwidth costs go away. It certainly raises the bar for creating an appealing local video portal.</p>
<p>Google continues to confound the experts by giving things away. And that, my friends, is why it is so bloody disruptive</p></blockquote>
<p><a href="http://www.nytimes.com/2008/03/13/technology/13tivo.html?th&amp;emc=th">YouTube and TIVO have announced </a>that they will work together to deliver more TV on demand &#8211; folks it&#8217;s getting easier for the mainstream to leave TV as we know it.</p>
<blockquote><p>When it is introduced this year (the exact time has not been specified), the YouTube service will be available only to TiVo users who have up-to-date hardware — a Series 3 or HD set-top box — and a broadband connection.</p>
<p>Of the four million TiVo users nationwide, more than half get their set-top box from a cable operator. Of the 1.7 million who bought their box directly from TiVo, only about 800,000 have the necessary broadband connection.</p>
<p>Users will be able to log into their accounts and gain access to playlists on the video-sharing site directly from their televisions. The company also plans to let users subscribe to video feeds from across the Internet by using software called an R.S.S. reader.</p>
<p>“TiVo should be the best experience for all video options, whether it’s coming from cable, satellite or off of a server,” Ms. Maitra said.</p>
<p>The integration of Web video and TiVo was a result of YouTube’s decision, announced last August and made public Wednesday, to open the YouTube platform for outside developers. The platform promises to make it easier for other sites to upload and manage videos.</p></blockquote>
<p>So what to do if you are invested in regular TV? <a href="http://www.buzzmachine.com/2008/03/12/at-the-media-summit/">Here is Jeff Jarvis speaking to a presentation by Disney&#8217;s Bob Iger</a>. Disney is going where the people are &#8211; the customers and the staff. Iger knows that he cannot persuade people who can&#8217;t get it &#8211; so he recommends hiring them instead</p>
<blockquote><p>Disney’s Bob Iger: He has shifted from protecting the brand to projecting the brand.</p>
<p>Another: He says Disney isn’t embracing the internet so much as embracing consumers and to be relevant to and reach them, they need to use the technology.</p>
<p>He says they will generate $1 billion in digital revenue in the company up from $750 million the year before (not including online sales to the parks). He says they’ve sold 4 million movies on iTunes and 40-50 million TV episodes, which pales into comparison to streams. Both are incremental — that is, new and additional — to their existing business. He says the DVD business won’t go away but there will be a shift to online delivery.</p>
<p>He cautions that social media isn’t just about Gens X and Y. It’s about kids now. He believes that the broaddband enabled computer will be come a primary entertainment medium for kids. “It’s just as important to them as television.”</p>
<p>Asked what’s the trick for an old-media company to get it, Iger responds, “Hire new people.” He says you need people who look at technology as a friend not a foe, not talking about challenges and fragmentation. (The kind of people at SXSW.)</p>
<p>Google is no threat, he says. Disney is a popular search term. He knows that Google sends him people and rather than seeing Google’s ad sales on top of that as a problem, he wants his company to find ways to make the experience of coming from Google better.</p>
<p>He talks about Disney as an American brand worldwide. He says he respects the need for local creation of content and so in local markets they set up creative centers, not just distribution centers. (I wish he were around in 1991 when my bosses at Time Warner killed — muzzled — my column at Entertainment Weekly because I dared to say that local content support could be a good thing. “How can you say that?” demanded one of the company’s editors. I stopped writing my column then, in protest, and soon quit the magazine. This was only one of my problems</p></blockquote>

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