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		<title>If you do not have mass social media as your main connection to your market &#8211; you are not only wrong but stupid</title>
		<link>http://www.fastforwardblog.com/2010/11/28/if-you-have-not-mass-social-media-your-main-connection-to-your-market-you-are-not-only-wrong-but-stupid/</link>
		<comments>http://www.fastforwardblog.com/2010/11/28/if-you-have-not-mass-social-media-your-main-connection-to-your-market-you-are-not-only-wrong-but-stupid/#comments</comments>
		<pubDate>Sun, 28 Nov 2010 17:20:55 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
				<category><![CDATA[Adoption]]></category>
		<category><![CDATA[Andy Carvin]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Barriers]]></category>
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		<category><![CDATA[Relationships]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[Boingo]]></category>
		<category><![CDATA[Kotex]]></category>
		<category><![CDATA[Mindset]]></category>
		<category><![CDATA[Social media experts]]></category>

		<guid isPermaLink="false">http://www.fastforwardblog.com/?p=5767</guid>
		<description><![CDATA[
			
				
			
		
Most organizations know that the web is important today – even the most dinosauric. But for most, the web is an up and coming “channel” and most still don’t have a clue about social media – they do it because they have to and they do it without much understanding about how it works and how different [...]]]></description>
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<p>Most organizations know that the web is important today – even the most dinosauric. But for most, the web is an up and coming “channel” and most still don’t have a clue about social media – they do it because they have to and they do it without much understanding about how it works and how different it is from their old “Normal”.</p>
<p>The final arrival of the Beatles on the web &#8211; mainly as we see boosted by social media &#8211; shows the new reality. That the web amplified by good use of social media is now the primary way of connecting what you have to the public.</p>
<blockquote>
<p style="margin-top: 0px;margin-right: 0px;margin-bottom: 10px;margin-left: 0px;padding: 0px"><em>Billboard</em> magazine <a href="http://www.billboard.biz/bbbiz/content_display/industry/e3i39b5c49ccd74a21f12815b9fb843970c">reports</a> that The Beatles sold more than two million individual songs worldwide and in excess of 450,000 albums in its first week on Apple’s iTunes Music Store. (The Beatles’ catalog was added to iTunes on November 16th.)</p>
<p style="margin-top: 0px;margin-right: 0px;margin-bottom: 10px;margin-left: 0px;padding: 0px"><a href="http://weblogs.hitwise.com/robin-goad/2010/11/apple_itunes_beatles_success_d.html">According to Experian Hitwise</a>, it was social media — not search — that drove a lot of the online interest and, more importantly, the online traffic surrounding The Beatles addition to iTunes. Consider this stat: On November 16, the first day Beatles songs were available on iTunes, 26% of UK traffic to Apple.com came from social media, about double the amount that came from search.</p>
</blockquote>
<p><a href="http://www.fastforwardblog.com/2010/09/30/npr-shows-how-social-media-brings-a-new-audience-to-established-media/">This nail in the coffin of old marketing is what NPR discovered.</a> When I worked for NPR back in 2005 &#8211; attracting a younger audience was thought to be vital. But at the time this meant that somehow the content should be changed. But what they found was that if you changed the medium for connection to Social Media &#8211; the young came &#8211; they loved the content &#8211; they just will not access it in the old way.</p>
<blockquote>
<p style="line-height: 1.5em;margin-top: 0px;margin-right: 0px;margin-bottom: 1em;margin-left: 0px;padding: 0px">In a <a href="http://www.npr.org/blogs/gofigure/2010/09/30/130238118/npr-twitter-survey" target="_blank">survey</a> of more than 10,000 respondents, NPR found that its Twitter followers are younger, more connected to the social web, and more likely to access content through digital platforms such as NPR’s website, podcasts, mobile apps and more.</p>
<p style="line-height: 1.5em;margin-top: 0px;margin-right: 0px;margin-bottom: 1em;margin-left: 0px;padding: 0px">NPR has more than one Twitter account; its survey found that most respondents followed between two and five NPR accounts, including topical account, show-specific accounts and on-air staff accounts.</p>
<p style="line-height: 1.5em;margin-top: 0px;margin-right: 0px;margin-bottom: 1em;margin-left: 0px;padding: 0px">The data on age is hardly surprising. The median age of an NPR Twitter follower is 35 — around 15 years younger than the average NPR radio listener. This lines up with data we recently found about other traditional news media; the average Facebook user reading and “liking” content on a news website is <a href="http://mashable.com/2010/09/29/facebook-like-stats/">two decades younger</a> than the average print newspaper subscriber.</p>
</blockquote>
<p>Isn&#8217;t this what has happened to the Beatles? Good content is good. If you have a product or a service or cintent that is good and is not available on the web via social media &#8211; you are punishing your business.</p>
<p>So what does this mean? The jury is no longer out. If you are not using the web and social media well &#8211; you are no longer cautious but stupid. You are refusing to see the world as it is. Now I know why you won&#8217;t move. Because this is all new and you are not any good at it. It&#8217;s like me taking up skiing in my forties. What had held me back was how awkward and stupid I would look and feel. But you know &#8211; no one cared about how awkward I was and learning to ski then allowed me to spend 10 winters with my kids having a hell of a time. I am 60. I started blogging back in 2002. I was utterly pathetic at it. But over time, I got ok. You can be too.</p>
<p>The real question is do you want your TV station, store, business to survive? It&#8217;s still not too late but it is getting close.</p>
<p>Who can help you? Well there are a lot of shysters out there. &#8220;Self proclaimed&#8221; Social Media Experts who have been involved for a year or so. So here are a few questions to ask to ensure that you are getting someone who can help for real:</p>
<ul>
<li>Tell us about who you have worked for in the past that you have helped make the shift in mindset? They must have been able to help another make this shift in POV</li>
<li>Tell us who your friends and network are? The shysters know shysters, the real folks know others who know their stuff and their network is as valuable as anything that they know.</li>
<li>Show us what you have written that moves the cheese! Shysters pound on about Facebook etc, the real deal is part of a larger deeper conversation about what all of this means.</li>
<li>Show us how knowing what you do has helped you in your own life? Most Shysters still live in the 1.0 world themselves. The real deal don&#8217;t &#8211; living this life has changed them radically &#8211; they have been made different by this and you will know this when you compare the 2 types. PS relentless self promotion is a give away!</li>
</ul>
<p>Some advice about process:</p>
<ul>
<li>There is no formula/cookie cutter &#8211; it is not about using Facebook next week &#8211; it is about changing your own mindset. So start with lots of conversation about what is going on and where you can start &#8211; you cannot know where you will end up right now &#8211; don&#8217;t try and go there.</li>
<li>Our mindset is changed not by will but by new habits &#8211; try a few smallish experiments and label them as such &#8211; look at at others who have done well and see how this may give you a start &#8211; Have a look <a href="http://www.fastforwardblog.com/2010/07/29/boingo-how-to-make-it-safe-corporately-to-use-social-media-well/">here</a> at how Boingo have used listening or look <a href="http://www.fastforwardblog.com/2010/03/29/kotex-the-future-of-advertising-the-truth-for-once/">here </a>about how Kotex have used a deep question. These are powerful places to start to help you be different for in the 1.0 world we don&#8217;t listen, we shout. In the 1.0 world we don&#8217;t ask tough questions, we live instead in a clean, fun, smooth fantasy world where periods are the best part of the month.</li>
<li>Hire one or two great young folks. <a href="http://en.wikipedia.org/wiki/Andy_Carvin">Andy Carvin </a>- just one person has done more for NPR than an army of consultants. Same with <a href="http://www.boingo.com/blog/?author=8">Baochi at Boingo </a>who enjoys the confidence of the CEO.</li>
<li>Persevere!!! This is really really hard to execute &#8211; the tools are simple &#8211; it is the shift in mindset that is so painful. I have found that as much as I and others know the direction the day to day part of the journey is stressful. Think of Christopher Columbus on his first voyage. He &#8220;knew&#8221; that there would be land if he sailed long enough west. But his crew did not. They also had to deal with storms etc, When they arrived, it was land but not the Indies &#8211; the destination was different. People got upset. When you do this &#8211; all of the trials of Columbus will come your way &#8211; Doubt, fear mutiny, disappointment &#8211; the lot. But there is no going back &#8211; you just have to push through.</li>
<li>Last point &#8211; anyone who tells you that this is easy and they can show you a step by step formula is a Shyster</li>
</ul>
<p>So stand up for our species. Be a Sapiens and not a Sap and good luck to you.</p>

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		<title>Content in a world where it is infinite &#8211; Dr Horrible</title>
		<link>http://www.fastforwardblog.com/2008/07/19/content-in-a-world-where-it-is-infinite-dr-horrible/</link>
		<comments>http://www.fastforwardblog.com/2008/07/19/content-in-a-world-where-it-is-infinite-dr-horrible/#comments</comments>
		<pubDate>Sat, 19 Jul 2008 12:08:34 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
				<category><![CDATA[2.0 Business Model]]></category>
		<category><![CDATA[Dr Horrible]]></category>
		<category><![CDATA[Hulu.com]]></category>
		<category><![CDATA[Movie Making]]></category>
		<category><![CDATA[iTunes]]></category>

		<guid isPermaLink="false">http://www.fastforwardblog.com/?p=1060</guid>
		<description><![CDATA[
			
				
			
		
We are all struggling to find a way of making content valuable again. When it was scarce and you could only see it on a big screen or on your TV on a certain channel in a certain place at a certain time &#8211; the content had the value of scarcity. But now&#8230;.? With as [...]]]></description>
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<p>We are all struggling to find a way of making content valuable again. When it was scarce and you could only see it on a big screen or on your TV on a certain channel in a certain place at a certain time &#8211; the content had the value of scarcity. But now&#8230;.? With as much content being posted on the web in a week that was on the air in a year back on the TV times of the 1970&#8217;s, where is the value?</p>
<p><a href="http://www.drhorrible.com/">Dr Horrible</a> may be showing us one way.</p>
<p><a href="http://www.fastforwardblog.com/wp-content/uploads/2008/07/dr-horriblesplash.png"><img class="alignnone size-medium wp-image-1061" src="http://www.fastforwardblog.com/wp-content/uploads/2008/07/dr-horriblesplash.png" alt="" /></a></p>
<p>This amazing film was launched this week for free in the 3 installments on the web. Come next week it will no longer be available &#8211; at least for free.</p>
<p>In the few days it has been available, it has caused a firestorm. First of all &#8211; it is very well done indeed. So there is the essential quality.</p>
<p>The makers are using all the rules of the 2.0 world.</p>
<ul>
<li>The have not negotiated with the 1.0 world for distribution</li>
<li>They are using Hulu to show the web version</li>
<li>They will be using iTunes to distribute the paid version</li>
<li>And marketing? Of course they are using me and you &#8211; the early adopters who have some influence &#8211; I had to see this because of Laura at BPP &#8211; you might see it because of me &#8211; a friend of your might see it because of you and so on.</li>
<li>They have used another form of scarcity &#8211; a very limited time of &#8220;free&#8221;</li>
<li>They have used another form of scarcity &#8211; 3 installments built expectations and hope for the resolution.</li>
</ul>
<p>And how does it end &#8211; Does Dr Horrible get the Girl? Does he deal with his Nemisis, Captain Hammer? Is he accepted into the A List of Evil Doers? Does it end happily? &#8211; Well you will have to watch it to find out.</p>
<p>Is it well made? Yes &#8211; very tight, great cast, great plotting and ideas, the music is exceptional &#8211; it kept me rapt all along and the end&#8230;.. brilliant.</p>
<p>Will Dr Horrible do well? What do you think? Is this a model &#8211; yes</p>

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		<title>PBS and iTunes &#8211; It&#8217;s Happening!!!!!</title>
		<link>http://www.fastforwardblog.com/2008/04/14/pbs-and-itunes-its-happening/</link>
		<comments>http://www.fastforwardblog.com/2008/04/14/pbs-and-itunes-its-happening/#comments</comments>
		<pubDate>Mon, 14 Apr 2008 20:54:46 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
				<category><![CDATA[Apple]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Public Media]]></category>
		<category><![CDATA[Public TV]]></category>
		<category><![CDATA[iTunes]]></category>

		<guid isPermaLink="false">http://www.fastforwardblog.com/?p=873</guid>
		<description><![CDATA[
			
				
			
		

It&#8217;s happening &#8211; Bits now but I bet soon the real deal. Here is the announcement on Apple&#8217;s site. iTunes is a natural for PBS programming. Worried about loss to stations &#8211; use this as the place to go a month later after the broadcast.
Enjoy PBS programming on iTunes U
From The War: A film by [...]]]></description>
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<p><a href="http://www.fastforwardblog.com/wp-content/uploads/2008/04/pbsitunes.png"><img class="aligncenter size-medium wp-image-874" src="http://www.fastforwardblog.com/wp-content/uploads/2008/04/pbsitunes-300x237.png" alt="The iTunes PBS Site" width="300" height="237" /></a></p>
<p>It&#8217;s happening &#8211; Bits now but I bet soon the real deal. Here is the announcement on Apple&#8217;s site. iTunes is a natural for PBS programming. Worried about loss to stations &#8211; use this as the place to go a month later after the broadcast.</p>
<blockquote><p><a href="//deimos3.apple.com/rsrc/pg/rm/pbs/page.xml">Enjoy PBS programming on iTunes U</a><br />
From The War: A film by Ken Burns and Lynn Novick to The Jewish Americans: A Series by David Grubin to Meet the Author, featuring more than 40 interviews with top children’s book authors and illustrators, WETA — Washington D.C.’s Public Broadcasting Station — delivers a rich assortment of educational programming for students, teachers, and parents alike. And they’re not alone. Educational programming from four other PBS stations, including KQED, WGBH, thirteen, and ideastream can also be seen and heard on iTunes U. Take a look. And enjoy.</p></blockquote>

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		<title>A Meaning for the Yahoo bid by MSFT</title>
		<link>http://www.fastforwardblog.com/2008/02/02/a-meaning-for-the-yahoo-bid-by-msft/</link>
		<comments>http://www.fastforwardblog.com/2008/02/02/a-meaning-for-the-yahoo-bid-by-msft/#comments</comments>
		<pubDate>Sat, 02 Feb 2008 11:59:57 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
				<category><![CDATA[Apple]]></category>
		<category><![CDATA[Barriers]]></category>
		<category><![CDATA[Business Model]]></category>
		<category><![CDATA[Enterprise 2.0]]></category>
		<category><![CDATA[Microsoft]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Public Media]]></category>
		<category><![CDATA[Relationships]]></category>
		<category><![CDATA[iTouch]]></category>
		<category><![CDATA[iTunes]]></category>

		<guid isPermaLink="false">http://www.fastforwardblog.com/2008/02/02/a-meaning-for-the-yahoo-bid-by-msft/</guid>
		<description><![CDATA[
			
				
			
		
[photopress:Sunrise_011_full_page.jpg,full,centered]
As sure as the sun rises in the morning &#8211; the web will become the primary delivery platform for all information.
Many in public radio and TV, have told me that my feelings about how fast the shift would take place from &#8220;air&#8221; and cable to web are exagerated. My argument is this. &#8220;Weight of money&#8221;.
When [...]]]></description>
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<p>[photopress:Sunrise_011_full_page.jpg,full,centered]</p>
<p>As sure as the sun rises in the morning &#8211; the web will become the primary delivery platform for all information.</p>
<p>Many in public radio and TV, have told me that my feelings about how fast the shift would take place from &#8220;air&#8221; and cable to web are exagerated. My argument is this. &#8220;Weight of money&#8221;.</p>
<p>When you pay $45 billion dollars you are not fooling around.</p>
<p>MSFT wish to get ready NOW for this new reality for when the bulk of advertising revenue and action are on the web. Ad revenues are $50 billion right now and are expected to rise to $80 billion by 2009/10. This is the prize. When the ad money shifts out of traditional media, you will hear the sucking sound of a mortal wound. It will be too late to reinvent your self then.</p>
<p>All the supporting parts of a web based radio and TV will have to accelerate their plans</p>
<ul>
<li>The viewing platforms such as the iPods and the large screen TV&#8217;s are ready now for a direct link. The Early Adopters are watching the bulk of their video online.</li>
<li>Many listen to radio online at the office or on their iPods on their commute</li>
<li>YouTube is bursting with great content both from traditional sources and from new entrants</li>
<li>Channels such as iTunes and Miro are building capacity &#8211; it will be the ease of use that these channels offer that will pull in the Early Majority.</li>
<li>Major Networks have their toe in the water and are offering some content online</li>
</ul>
<p>The Yahoo bid will accelerate all this work.</p>
<p>So what is the work that Public TV and Radio have to do in this context of no time? It is to solve the business model problem. How to offer the best content from TV and Radio AND keep the stations whole. How to do that? I think the answer is to make the offer direct with the forced choice of the show and the station.</p>
<p>I am not saying that people will not listen to radio nor am I saying that people will stop watching TV.  People will still buy SUV&#8217;s and Trucks. But the bulk of the people, especially people who are naturally curious will make the switch.</p>
<p>[photopress:mikey1.jpg,full,centered]</p>
<p>Remember Mikey &#8211; &#8220;Give it to Mikey &#8211; he hates everything. Well my wife Robin, is the tech Mikey.</p>
<p>Robin is very very resistant to gadgets. BUT &#8230;&#8230;.. She now listens to all her radio online &#8211; loading the podcasts onto her MP3 player which she uses when she is doing stuff around the house and walking the dogs. And in her down time,  I hardly ever see her anymore &#8211; she has discovered YouTube. She has discovered that it is packed with content that she wants to watch &#8211; content that is &#8220;serious&#8221; that is just what a good Public TV member would want to watch. She has discovered that it is easy to watch and listen to what she wants when she wants and that there is tons and tons of great content out there.</p>
<p>She is closer to 60 than 50 and is in the centre of the demographic for Public TV.</p>
<p>So Robin&#8217;s desire for interesting content that intrigues her has been met already. Just imagine how easy it will be for her to have access to even more and what her choices will be soon.</p>
<p>Don&#8217;t you want her and the millions like her as your audience?</p>

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		<title>The Future of TV &#8211; iTouch</title>
		<link>http://www.fastforwardblog.com/2007/12/02/the-future-of-tv-itouch/</link>
		<comments>http://www.fastforwardblog.com/2007/12/02/the-future-of-tv-itouch/#comments</comments>
		<pubDate>Sun, 02 Dec 2007 12:20:34 +0000</pubDate>
		<dc:creator>Rob Paterson</dc:creator>
				<category><![CDATA[Apple]]></category>
		<category><![CDATA[Enterprise 2.0]]></category>
		<category><![CDATA[PBS]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[User Revolution]]></category>
		<category><![CDATA[YouTube]]></category>
		<category><![CDATA[iTouch]]></category>
		<category><![CDATA[iTunes]]></category>

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		<description><![CDATA[
			
				
			
		
[photopress:Itouchsmall.jpg,full,centered]
I have really been enjoying my new iTouch &#8211; can&#8217;t get the iPhone here in Canada &#8211; it&#8217;s not just that music but the other features.
In particular, the YouTube feature. It is very very easy to use and the video comes through on the small screen with almost a TV quality.
Here is I think part [...]]]></description>
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<p>[photopress:Itouchsmall.jpg,full,centered]</p>
<p>I have really been enjoying my new iTouch &#8211; can&#8217;t get the iPhone here in Canada &#8211; it&#8217;s not just that music but the other features.</p>
<p>In particular, the YouTube feature. It is very very easy to use and the video comes through on the small screen with almost a TV quality.</p>
<p>Here is I think part of the future &#8211; the very small screen is here to stay and producers that offer and iTunes or YouTube delivery will get viewers.</p>
<p>The <a href="http://www.nytimes.com/2007/12/02/business/02frame.html?th=&amp;emc=th&amp;adxnnlx=1196596853-u2o5YSQ%20Qa7m4ntxzrIPxA&amp;pagewanted=print">New York Times</a> had this to say today:</p>
<blockquote><p>INEXPENSIVE broadband access has done far more for online video than enable the success of services like YouTube and iTunes. By unchaining video watchers from their TV sets, it has opened the floodgates to a generation of TV producers for whom the Internet is their native medium.</p>
<p>And as they shift their focus away from TV to grab us on one of the many other screens in our lives — our computers, cellphones and iPods — the command-and-control economic model of traditional television is being quickly superseded by the market chaos of a freewheeling and open digital network.</p>
<p>According to <a title="Move" href="http://www.nytimes.com/mem/MWredirect.html?MW=http://custom.marketwatch.com/custom/nyt-com/html-companyprofile.asp&amp;symb=MOVE">Move</a> Networks, a company based in Utah that provides online video technologies, more than 100,000 new viewers jump online every 24 hours to watch its clients’ long-form or episodic video. During the first two weeks of November alone, more than twice the number of Americans were watching TV online than in the entire month of August.</p>
<p>The shift is proving quite inspirational to digital media entrepreneurs&#8230;&#8230;.</p>
<p>But what happens to the television industry when the traditional way for content to find its audience becomes obsolete?</p>
<p>“There’s a lot of rewriting of the concept of windows in the TV network world today — the timing of when and where shows appear,” said Allen Weiner, the managing vice president for media and consumer technologies for the Gartner Group in Scottsdale, Ariz.</p>
<p>In the old days, after something appeared on TV, its release to other distribution channels was carefully staged — from the timing of reruns to the DVD release to when it would be available on-demand. “We’re seeing all kinds of new windows occurring, and no one knows what the magic formula will be,” he said. “A lot depends on advertiser reaction and on user behavior.”</p>
<p>One closely watched approach is the new online series “Quarterlife,” by Marshall Herskovitz and <a title="More articles about Edward Zwick." href="http://topics.nytimes.com/top/reference/timestopics/people/z/edward_zwick/index.html?inline=nyt-per">Edward Zwick</a>, who produced “My So-Called Life.”  Episodes first appear on <a title="More articles about MySpace.com." href="http://topics.nytimes.com/top/news/business/companies/myspace_com/index.html?inline=nyt-org">MySpace</a> TV, then are available the next day on <a href="http://quarterlife.com/">Quarterlife.com</a>, and a week later on YouTube, Facebook and Imeem. There is talk that they may even appear later on network TV — but as the last window, rather than the first.</p>
<p>As far as ON is concerned, Mr. McClanahan intends to put his programs in every single window he can find. Unlike other companies, ON optimizes all its shows for viewing on any video-capable device, a feature he calls “lifestyle distribution.”</p>
<p>That’s why he has deals with partners like iTunes and AT&amp;T’s Television, Broadband and Wireless Services, both of which can deliver video programs to multiple devices, from plasma TVs to computer screens and cellphones.</p>
<p>“You can’t expect to control consumers and force them to come to prime time at 7 p.m. on a Monday night,” said Mr. McClanahan. “If the consumer wants it on their phone at 3 p.m. while they’re on the golf course, then that’s where we have to deliver it.”</p></blockquote>

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