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Archive for Video

TV and Radio and the web

by Rob Paterson

I have cancelled my cable and have been connecting directly to the web for 2 months now. I am not alone.

tv-internet-chart

I am nearly 60 – I am in the slowest group to do this and look at what is going on with the old farts! For the young, the choice has been made.

Why do I use the web?

  • What I see is in my control
  • There is loads of what I want on the web – mainly documentaries and music
  • The pathways there – iTunes, Veoh, YouTube are good enough and getting better. In the US even more choice.
  • The better content producers are going there – PBS is a long way along
  • No Ads!!!!!!!!!!
  • No paying for stuff I dont want
  • I would pay for a better experience too

I use a simple mini connector on my MacBook to link to my TV set and use the screen management feature to synch the screens. In 2010 even these simple technical hurdles will go away. A better Apple TV? The new iSlate?

The point is for all who are in TV – the web will be THE channel by 2011.

PS – Radio is going web too (New York Times)

FM tuners are passé. Why include tuner technology to play a few dozen stations when you can harness thousands of radio stations over the Internet?

Unlike standard broadcast radio, Internet radio stations can be heard virtually anywhere (copyright restrictions aside), as long as you have a device that can go on the Web; that can be a PC, a smartphone or a stand-alone receiver.

An Internet radio station may have started out life as a traditional local broadcast outlet, and then management decided that it would be great to let people hear it everywhere. Or an Internet radio station may be nothing more than one person in a basement uploading music or talk to the Web, hoping that someone out there will listen.

Literally thousands of genres of Internet radio exist, from oldies, classical and religious to ultraradical talk, from the right and left. The first trick is finding them, and the next is playing them. Fortunately, with a little information, both tasks are rather easy.

TUNE IN To find an Internet station of a particular genre, start with the basics: a Web search. Type in “60s,” “NPR” or “Catholic” and the words “Internet radio” and you’ll come up with a list and links to those channels.

Another useful source is streamingradioguide.com. The Web site lists more than 14,000 stations that can be searched by genre. While extensive, the list is not complete.

Internet radio hardware and smartphone apps that offer radio transmissions don’t typically accumulate station offerings themselves; rather, they use aggregators, companies that create a selection of channels. On the Web, you can access radio channels directly from those aggregators as well; they include Reciva.com,Radiotime.comVtuner.com, 1.fm and Freeradio.tv.

In addition, Apple’s iTunes software (Mac and PC) offers hundreds of Internet radio stations.

So this is the reality – 2010 will be the Tipping Point when Radio and TV move to the web.

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War 2.0 – The IDF are using YouTube and Twitter

by Rob Paterson

Increasingly war today is a matter of winning the “people’s war” Organizations such as Al Qaeda have become masters at using social media to both train people and also to tell their story. Often actions are in effect stage managed such as the Fallujah killing of Blackwater men that was filmed throughout and broadcast immediately.

Until now conventional forces have kept away from learning how to tell their side of the story. Maybe – as with business – their essential bureaucratic nature and need for control – inhibited the use of social media.

idfyoutube

But the IDF have decided that they have to get their story out there and are agressively using YouTube and now Twitter. Here is a neat summary with links from Global Dashboard.

Two of my favourite blogs, MountainRunner and Danger Room highlight the IDF’s attempt to win over the blogosphere using Twitter and You Tube. Why? Because according to the head of the IDF’s press team: “The blogosphere and new media are another war zone, we have to be relevant there.”

The YouTube channel was created with the aim of distributing footage of precision airstrikes. Interestingly YouTube took down some of the ‘exclusive footage’ showing the IDF’s operational success in operation Cast Lead against Hamas extremists in the Gaza Strip, but appears to have returned some of the footage due to popular demand.

Elsewhere the Israeli consulate in New York hosted a press conference on Twitter in order to answer the public’s questions regarding the situation in Gaza. How one measures the success of the twitterference is difficult but, as both Matt and Nathan point out, reducing the Israeli-Palestinian conflict to tweets of 140 characters or less makes for interesting reading:

‘We hav 2 prtct R ctzens 2, only way fwd through neogtiations, & left Gaza in 05. y Hamas launch missiles not peace?’,

‘we’re not at war with the PAL people. we’re at war with a group declared by the EU& US a terrorist org’.

I think that this is just the beginning

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Social Media – Gustav – Emergencies

by Rob Paterson

Social Media came of age after the Tsunami. It showed its power to provide vital information very quickly when the official channels could not.

With Gustav a day away from landfall many of the most experienced people in the field are coalescing on a Ning site that will aggregate as much information as possible in one place. Wiki, Twets, RSS feeds from Blogs, Video – everything.

Here is the address of the site

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Social Media – A New POV for Story Telling

by Rob Paterson

I think that one of the barriers of conventional Story telling TV is the imposing amount of gear that has to be used to “Get the Quality”.

If you are confronted by a interviewer, a sound man and a camera man with a huge camera on his shoulder – it’s hard to open up.

If the topic of what is on the table is a hard one – then maybe you will not open up. We are for instance finding it hard to get people to talk in St Louis about losing their homes – whereas it was easy to get people to talk about their experience in the war. We are starting to debate how we can reduce the barriers to story and hence to engagement.

This traditional approach – where interviewer is outside the story themselves – is not engaging enough.

Here then is my ideal. Molly Dineen making her brilliant film – The Lie of the Land – Available in full on Google Video.

This film is about the  death throws of farming in England and about the barrier between city folk who think that food comes from the supermarket and the country folk who struggle to produce food for a living when the supermarkets and the government do all they can to break them.

What is so special about the film is Molly’s POV. By working alone with just a small camera – she is part of the story. Her warmth allows the natural dignity of the inarticulate to shine through and to give power to the thoughts of people who could never speak other wise.

There is no barrier between her and the people or the actions in the film.

The film has caused a storm. It seems to be the Silent Spring of our time. The wake-up call.

It is the technology of the mini cam that has allowed her to change the relationship between the film maker and the subject. This brings out the emotional power of the story. It is the technology of the web that is allowing you to see this film whenever you want. The new social web brings us depth and distribution. A great story will travel.

A warning – Molly shows the reality of life and death on the farm. NO shrink wrapped beef here.In so doing she reminds us of the real cost of our food – a cost that goes beyond money.

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